illustrator portrait from photo

If the Curvature tool inadvertently interacts with other shapes, locking the paths within the layer can help prevent undesired results.To draw the hair, Plant chose the Ellipse tool and held down shift-alt (or shift-option) as she dragged a circle out from the center of the face. To create corner points and straight lines, she held down the alt (or option) key as she clicked. She clicked on the center guide to set the reflection point. Finally, she changed the fill color of the individual sections of hair.To create a shadow, Plant used the Curvature Tool to draw a crescent shape, filled it with black, and reduced the opacity. She works at Adobe as an associate creative director.Vector portrait illustration of a woman with wavy hair in dark blue, pink, purple layers against a pink background To create corner points and straight lines, she held the Alt (or Option) key as she clicked.

Create is Adobe’s online magazine for creative people everywhere. To finish the shape, she clicked the original anchor point while holding down the alt (or option) key.With the shape selected, Plant used the Reflect tool (O on her keyboard). In the Properties panel, she chose Unite from the Pathfinder options and changed the fill to a warm brown color with no stroke.

Then she selected the shadow and the face and used Shape Builder as described in the previous step to trim the shadow that extended off the face. Kendall Plant is a designer, content creator, and art director whose unique creations incorporate nature, street photography, and even skulls. Plant continued to draw facial features, sunglasses, and jewelry with the Curvature tool while using the reference image to check proportions as needed.As she worked, she reflected shapes across the center guide, united them, and changed the fill colors. Then she selected the shadow and the face and used Shape Builder as described in the previous step to trim the shadow that extended off the face.Add shapes, trim, and embellish to make your portraits stand out on a solid color background.Selecting a region changes the language and/or content on Adobe.com.Selecting a region changes the language and/or content on Adobe.com. Next, Plant selected the Shape Builder tool and held down the alt key as she dragged to remove the additional sections of hair outside of the original shape. Next, Plant selected the Shape Builder tool and held Alt as she dragged to remove the additional sections of hair outside of the original shape. Visit us for inspiration and tutorials on graphic design, photography, illustration, UX design, video, and more. See how illustrator and designer Kendall Plant designs head-turning art with the Curvature and Shape Builder tools in Take a one-minute look at Plant’s technique in this video; the steps are written out below. The Curvature tool creates geometric curves automatically, so she didn’t need many anchor points. Add shapes, trim, and embellish to make your portraits stand out on a solid color background.Note: Project files included with this tutorial are for practice purposes only. The Curvature tool creates geometric curves automatically, so she didn’t need many anchor points. She clicked on the center guide to set the reflection point; then she clicked on the shape, held shift-alt (or shift-option) as she dragged a reflected copy of the face shape.Plant chose the Selection tool (V) and shift-clicked both sides of the face. Using control-R (Windows) or command-R (macOS), she revealed rulers, dragged a guide to the center of the model’s face, and locked the image layer.Next, she selected the Curvature tool and clicked to create anchor points to draw an outline around the left side of the model’s face. She used Control+R (Windows) or Command+R (macOS) to show the rulers, dragged a guide to the center of the model’s face, and locked the image layer.Next, she selected the Curvature tool and clicked to create anchor points to draw an outline around the left side of the model’s face. Illustrator & Illustration Projects for $10 - $30.

If the Curvature tool inadvertently interacts with other shapes, locking the paths within the layer can help to prevent undesired results.To draw the hair, Plant chose the Ellipse tool and held Shift+Alt (or Option) as she dragged out a circle from the center of the face. Step 1: Start with a Reference Image. Formerly Adobe Inspire Magazine. With the hair selected, Plant chose Object > Expand Appearance to convert the zig zag path to a shape so she could customize the hair with the Shape Builder tool.To create a layered look, she held Alt/Option as she dragged to create overlapping copies of the hair, then used the Selection tool to select all the copies.