Of course, her previous months of touring the world were good marketing; they were just marketing the entity Beyoncé and helped create an atmosphere that was hungry for an album. Arab Strap. —Adrian Spinelli, This is what thoughtful hip-hop is supposed to sound like. Merci. Pusha, who Kanye West signed to his GOOD Music label in 2010, was at the height of the well-documented feud with Drake at that time of his album release. Usual suspects Little Shalimar and Wilder Zoby provide co-production throughout, contributing to some of the most nuclear compositions of El-P’s career. Taking mainstream UK rap in a fresh and vital direction, J Hus‘s debut album blended bashment and Afrobeat to create the kind of sound that could turn the driest house party into a … They waste no breath in declaring their summary of hip-hop in 2018: “Smino Grigio, Noname, and Saba the best rappers / And radio n****s sound like they wearing adult diapers.” It’s on the album’s first two tracks (“Self,” followed by the observatory “Blaxpoitation”), however, where Noname forges more political waters, delivering deeply important lines of poetry about racism and sexism. It is Kendrick Lamar condemned and Kendrick Lamar redeemed. Find underground rap tracks, artists, and albums. As Days Get Dark. Jay Z’s 13th studio album shows a truly graceful aging. The track features Jay-Z. Connect with AOTY. It’s the music of someone who is constantly thrilled to still be living. Camp found itself oversaturated with poppy production better suited for Kidz Bop reiterations and childish (pun!) Kanye answers: “We formed our own religion; no sin as long as there’s permission.” It’s no surprise that the finest tracks here are those in which the duo take a break guarding their invisible thrones. There are too many great one-liners to count on album kicker “I Do,” one of Paste’s favorite songs of 2018. “My little 15 minutes lasted long as hell, huh?” Cardi observes, later followed by what might be the best imperative sentiment in music that year: “Leave his texts on read, leave his balls on blue.” “I Do” is Cardi B’s way of saying “I’m done explaining myself,” and in doing so she speaks on behalf of all women who’ve ever been told to shut up. Rap français (French for "French rap") is a genre of hip-hop native to France. Where to begin when writing about the genre that defined the decade? Considering the unorthodox release, which included music videos for every song and lack of a standard pre-release marketing push, the album was historic, especially considering that, at least initially, it worked, and the sales boomed as they had never boomed previously. Purged of the drug-addled skepticism of Acid Rap and pulsing with the free-wheeling spirit and zeal that bolstered Surf, Coloring Book is a breezy listen: direct and purposeful. Ludacris' seventh studio album Battle of the Sexes becomes the first hip hop album of 2010 to debut at No. Pop is below 10-percent and Jazz is, well, Jazz is Kamasi Washington all by himself. But, even the most cursory investigation into Brown reveals that he’s not just funny; he’s hysterical. It wasn’t the 1.6 shot heard ‘round the internet bad, but the album was brimful of lackluster. Rap français (French for "French rap") is a genre of hip-hop native to France. And if you didn’t get the message on the first track, then it’s surely chiseled into your core on “Oh My Darling Don’t Cry.” It’s one of the rawest and hardest hip-hop beats to come out this decade with Mike and El-P trading bars. This is where he first plucked a quaint indie rock vocalist in Bon Iver’s Justin Vernon, weaved him masterfully into his own hip-hop fabric and vaulted the mixture of the two. Jay-Z: “4:44” (2017) “4:44” is one of the most mature and inspiring albums ever created in rap. “I been out of my mind a long time,” Kanye raps over droning synth tones. Note: These are albums that missed the cut on our general Best Albums Of The 2010s list, which you can find here. Listen to 100 Hip Hop 2010 Hits song in high quality & download 100 Hip Hop 2010 Hits song on Gaana.com by: Cat Zhang; October 24 2019. But, just as there’s a fine line between self-love and self-obsession, art often runs the risk of crossing over from personal to self-absorbed. Critic Score. The first revelation is “New Slaves,” a racially charged gospel set to a gothic, electro-choral swirl. It takes work to balance strong personalities that have a lot to say. The lean and mean seven-track LP was the first of five West-produced albums released in summer 2018, but it’s an unquestionable career highlight for the former Clipse rapper. But while the volume of Chance’s piety may feel like evangelism, Coloring Book is far from gospel rap. 6,211 listeners, Javascript is required to view shouts on this page. In order to have the best experience, please upgrade to a more modern browser. —Adrian Spinelli, Killer Mike and El-P become full-fledged juggernauts on their third album as Run the Jewels, never compromising, never obstructed. The lack of universality to much of it keeps it from being the great album it wants to be, and some of the fascination seems to stem from 2013 celebrity culture obsession and speaks to the need to disappear from our own lives and become so wrapped up in the world of the rich and famous. Turns out, Cardi had lots more “money moves” where that one came from, and her highly-anticipated full-length debut made good on the promise of more self love lyrics, Latin-influenced rap and twerk-worthy trap. April. “My pussy teaches ninth-grade English / My pussy wrote a thesis on colonialism,” she raps, before later asking, “Y’all really thought a bitch couldn’t rap huh?” Through Room 25’s calculated wisps of groove rap and studied waves of neo-soul, Noname proves she’s wise and fortified, and not to be questioned. Camp isn’t the only instance of this—it’s the trend that became the rule after repeated offenses on mixtapes. The rapper’s cousin and fellow Pivot Gang member John Walt (aka Walter Long Jr.) was murdered in 2017, and his death shadows every corner of the record. —Robert Ham, While hip-hop media has been fixated on the line about “kissing white boys since 2004,” the truth is that Tyler, The Creator’s 2017 album Flower Boy is much more than a revelation about his sexuality. Lonely,” featuring Frank Ocean, whose velvety voice is all over the album, makes poetry out of boredom and depression: “Check in on me sometime/Ask me how I’m really doin’/So I never have to press that 911.” Siren-like synths (that will sound familiar to old-school Odd Future fans) and frantic, uneasy drum beats are offset by dreamy strings and jazzy improv, melding Flower Boy’s 14 tracks into a cohesive listening experience that accurately illustrates the rapper’s ups and downs. Some user-contributed text on this page is available under the Creative Commons Attribution-ShareAlike License; additional terms may apply. In a year of often overwhelming national cruelty, the city found itself looking toward some sort of light on the horizon. and DJ Dahi, producers who represent the best of most generations of hip-hop, to help him carve out a sonic space better fit for his aging worldview. West Coast rap makes a triumphant return in 2010. Though he raps proficiently, with ample confidence and a nimble tongue, he’s a flat personality who regards his shallowness and vanity as his best qualities. I ride for you/ When I am gone, just know that I owe you” that’ll surely play in your head the moment you land on the tarmac at LAX. Creative Commons Attribution-ShareAlike License. There’s something so fun and innocent about “Cocoa Butter Kisses,” one of the album’s most re-listenable tracks. Forget about Kulture, Cardi’s instagram rants and those rad Bardi Gang earrings you bought your roommate for Christmas. Rate your favorite albums to have your say in this list of the top user rated albums. De La Soul’s first album in 12 years not only represented a turning point for the veteran trio, but also for hip-hop itself. Chance has always had a way of bringing talent together. A laser-focused Pusha makes every lyric count, deftly depicting the luxurious life of a drug kingpin-turned-rapper who hardly recognizes the genre he’s spent two decades in (“I’m too rare amongst all of this pink hair, ooh / Still do the Fred Astaire on a brick”). Rap was everywhere. Rap français has become a distinct genre, and shouldn't be confused with French-language hip-hop or hip-hop from France in general. But at least there is a Jazz album; Country music, wildly popular throughout a large chunk of the US, didn’t even make the list. Folks who love him dearly were calling it the best thing since seasonings for food. But no artist embodied what 2018 meant for Chicago more than Saba. Just over three weeks later, Chicago rapper Fatima Warner, aka Noname, released her gorgeous debut mixtape Telefone, a smooth, jazz-inflected listen packed with heartbreaking social commentary about life as a black woman in America. A.O.I., LLC. SZA anchors the song with the nonnegotiable chorus: “I do what I like.” In 2018, an unapologetic woman was the most powerful voice we needed. The whole album is wrought with expansive productions from the sparkle of “All of The Lights” featuring Rihanna, to the beautiful balladry of “Blame Game” featuring John Legend. Spotify: https://open.spotify.com/artist/2prJa6B0ZVDzuXJQboQ2KEDJ Plink prouve sa versatilité avec un nouveau mix Rap Français 2020. Weeks before its release, he defined Pablo as “a Gospel album”—the equivalent of constructing a steeple on a Walmart and calling it a church. They may still be far from the light, but they’re also far from done. Stay on top of all the newest hip hop and rap album … Around 70-percent of the list is comprised of rock artists, with the next closest genre being Hip Hop at 15-percent. Nothing personal, guys. —Ellen Johnson, That Kanye’s anointed himself as Jesus’ BFF isn’t surprising: After years of hip-hop domination and high-profile media spectacles, the dude’s made plenty of enemies—Jesus may be the final person he hasn’t totally pissed off. It wasn't just "Over" that got bent out of recognition. View wiki Just listen to Q-Tip’s hiccuping breathlessness on “The Donald” or Busta’s exorcisms on “Dis Generation.” These guys never rapped like this before, and they never will again, at least not in this configuration. 22 Musicians on Their Favorite Albums of the 2010s. 1 on the Billboard 200. AllMusic's Highest Rated Albums of 2010. Morceau archive rap français de 2010 sorti sur le Maxi "Périmètre de Sécurité" de Zone Rouge Music. —Dan Weiss, Though Vince Staples’ proof was already in Stolen Youth, the 2013 mixtape he spit out with Mac Miller (Larry Fisherman), his major label debut—and first official full length—Summertime ’06 acts as an all-consuming testament to a talent far beyond its years. The final album drop, hyped on an uneven SNL performance, was protracted and filled with technical glitches. More than ever, Old allows even passive listeners to care about what Brown is saying, to form a bond with him and to trust there is more of interest to him than women and drugs. The US hip-hop band The Black Eyed Peas recorded a new disc The E.N.D. It’s almost as if they’re competing to see who can rap faster, better and more articulately. “What’s a God to a non-believer?” he croons over a four-to-the-floor pulse and strangled metal guitar riff. Connect your Spotify account to your Last.fm account and scrobble everything you listen to, from any Spotify app on any device or platform. It’s a beautiful blast of humanity on an album—a perplexing, fascinating, absorbing album—that often feels outside normal human grasp. punchlines derivative of the likes of Lil Wayne and a 2000s-era Ludacris. Spotify: https://open.spotify.com/artist/2prJa6B0ZVDzuXJQboQ2KEDJ Plink prouve sa versatilité avec un nouveau mix Rap Français 2020. The Bronx-born entrepreneur first attracted attention after speaking openly about her work as a stripper on social media. Meanwhile, West’s sample-heavy beats provide Pusha the ideal soundscape—sometimes opulent, others menacing—to swagger over. — Scott Russell, Take Care is certainly impressed with itself, but often rightfully so. But Kendrick Lamar is not Jesus. In turn, the album is more than an ambitious kind of coming-of-age chronicle—it’s a blithely sad thing, one in which institutional racism (“Lift Me Up”), addiction (“Jump Off the Roof”), and even loneliness (“Summertime”) feel impossible to overcome. Rap went pop. View wiki “I just hope I make it ‘til tomorrow,” he says at the end of “PROM/KING.” Saba and the city that raised him are growing through darkness. It’s the live hip-hop formula that the Roots have done better than anyone, since the group’s inception in the late ’80s. —Stephen F. Kearse, The Low End Theory and Midnight Marauders are great Tribe albums. On “DNA.,” he’s “Yeshua’s new weapon,” born of Immaculate Conception and eager to lead his people. “But I’mma have the last laugh in the end,” Kanye promises. 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